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Great Early Buk October 14, 2007 Mr. Bloom (New York) 1 out of 1 found this review helpful
Love is a Dog From Hell captures Bukowski's considerable talent for capturing a mood and throwing the reader into his world. This is an excellent edition of modern poetry that perfectly captures the degenerated angst of the period. What is particularly striking here is Bukowski's acute awareness of the decay that surrounds him. I thought 'The Worst and the Best' was a strong example: in the hospitals and jails it's the worst in madhouses it's the worst in penthouses it's the worst in skid row flophouses it's the worst at poetry readings at rock concerts at benefits for the disabled it's the worst at funerals at weddings it's the worst at parades at skating rings at sexual orgies it's the worst at midnight at 3 a.m. at 5:45 p.m. it's the worst falling through the sky firing squads that's the best" (119) Read Bukowski and fall into his humorous and dark verse.
at his best August 26, 2007 James Nigh (san bernardino, CA USA) this is, by far, my favorite collection of poetry from bukowski. it is worth the price alone for one of the poems (i forget the name of it right now) but one thing's for sure......... this will inspire you to write. in general bukowski style, it's crude, crass and beautiful.
Ain't that the truth~ March 8, 2007 E. Eilers (Minneapolis, MN United States) Love really is a dog from hell. This writing is very real, very ugly, and very soothing to the sufferer.
The laughter of the mutilated who still need love November 21, 2006 Lynn Hoffman, author:The New Short Course in Wine 24 out of 36 found this review helpful
It's hard to think of a person less likely to achieve posthumous fame than Charles Bukowski. His poems don't scan or rhyme, they're imposs- ible to memorize and the stories that they tell repeat themselves like a whisky drinker around 1:30 in the morning. In fact, you could write a decent-sized essay on why nobody should ever remember Bukowsky. And yet. . . There have been two movies based on his life and work. His name hasn't exactly become an adjective: 'Bukowskian' doesn't scan any better than his poems, but he is certainly a reference point in the literary imagination of our time. If someone says "he's a Charles Bukowski kind of guy" you get an image, bright and clear like it came from cable TV. So why? Why hasn't this guy been consigned to the trash heap of misanthropic/misogynistic, narcissistic drunks with no sense of rhythm? Well, for staters, look at the title of this review. There are enough people who see them- selves as 'the mutilated who still need love' to forgive any poet who came up with a line like that. Then there's this, from a poem about people who call him asking for advice about a literary career: ...they think I have held back my secret. I don't write out of knowledge. when the phone rings I too would like to hear words that might ease some of this. that's why my number's listed. Now that last poem, called 462-0614 is the one with the bookmark in my copy of Love is a Dog. Little stuff like that, small marks of compassion and vulnerability that you have to dig for, that's a big part of why we're still reading him today. In a more general, story-telling sense he is, like Billy Collins, the master of the double- back and bite-you-on-the-butt technique of spinning a very short tale and that's a very addictive quality in a poet. Of course, another reason that we're reading Bukowsky today is that John Martin out of Santa Rosa, CA sold his collection of first editions and founded Black Sparrow Press to publish guys like this. So, if you keep a few volumes of poetry beside the bed, here's one to keep whenever you need to be reminded that mutilation leaves scars and that under the scars, the mutilated need love too. --Lynn Hoffman, author of THE NEW SHORT COURSE IN WINE and the forthcoming novel bang BANG from Kunati Books.
Raw and accessible July 8, 2006 VoidMagazine.com (New York, NY) 5 out of 8 found this review helpful
There is no craft here, they say. The poetry flows from Bukowski's hand with such ease that it's akin to that thing they said about Kerouac: "it's just typing." And it's half true, both in Kerouac and Bukowski there's a beautiful measure of rawness and learnedness. Erudition? Bah! We want nothing to do with it, after Hank dispells the greats, and works through them like he does preteen mexican girls. Every poem is accessible, like a Pinsky or Collins, but it goes further because it pushes us to consider ourselves, more than a stroll through Central Park and a statue, but ourselves dirty and drunk with blood on our hands, f***ing that same statue. To read more reviews check out Void Magazine's website.
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