Black Dog | 
enlarge | Author: Stephen Booth Publisher: Pocket Category: Book
List Price: $6.99 Buy Used: $0.98 You Save: $6.01 (86%)
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Rating: 26 reviews Sales Rank: 604329
Media: Mass Market Paperback Pages: 480 Number Of Items: 1 Shipping Weight (lbs): 0.5 Dimensions (in): 6.8 x 4.2 x 1.3
ISBN: 0671786040 Dewey Decimal Number: 823.92 EAN: 9780671786045 ASIN: 0671786040
Publication Date: November 1, 2001 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Standard used condition.
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Amazon.com Review A neat little psychological thriller in the Barbara Vine tradition, debut novelist Stephen Booth's smart, spare suspense story introduces Detective Constable Ben Cooper, an up-and-coming English policeman who fears he'll never be able to fill the shoes of his father, a police sergeant who died a hero's death on the job in Ben's own precinct. Diane Fry, Ben's new partner, is an ambitious woman who's just been transferred to the Edendale force. She's jealous of Ben's familiarity with the locals, who won't tell her anything but treat Ben like a beloved son. The pair is teamed up to investigate the brutal murder of a 15-year-old girl whose parents, like Fry, are outsiders. The old man who finds Laura Vernon's body is an enigmatic, close-mouthed man who obviously knows more than he's telling, but even Ben can't budge Harry Dickinson from his determination to keep the real story of what happened in the dark woods of England's brooding Peak District to himself. Laura's father is anxious to pin the crime on a local boy who may have had sexual designs on her and who's conveniently gone missing. But the search for the killer turns up the dark secrets of the Vernons as well as a number of other suspects who keep Ben and Diane guessing until the last page of this well-written, carefully paced, and deeply atmospheric novel. A strong first showing from a writer worth watching, with a protagonist who'd be good company in a return engagement. --Jane Adams
Product Description As helicopters search Northern England's Peak District for fifteen year-old Laura Vernon, Detective Constable Ben Cooper quietly dreads the worst. And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constible Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.
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| Customer Reviews: Read 21 more reviews...
First Book in the Series August 24, 2007 J. Chippindale (England)
A newspaper and magazine journalist for over 25 years, Stephen Booth was born in the English Pennine town of Burnley. He was brought up on the coast at Blackpool, where he began his career in journalism by editing his school magazine and wrote his first 'novel' at the age of 13. Laura Vernon is an intelligent, vivacious young teenager, but now she is missing in the peak District. The local police mount a full-scale search operation, but it is not them who finally find her. Harry Dickinson, a retired lead miner is the man who finally finds the body and for some reason known only to him he seems bent on obstructing the police investigation. Even her parents are holding something back. What could be more important for them than finding the murderer of their daughter. Ben Cooper, a young Detective constable has the known the villagers all his life, but his feelings on the case are brought into question by the arrival of Diane Fry, an ambitious DC from another division . . .
Blah February 4, 2006 A. Ross (Washington, DC) 4 out of 6 found this review helpful
I enjoy psychological suspense/crime novels quite a bit-when they're done well. The problem is that often they aren't, and instead, wallow in the most ridiculous, improbable rationales for human behavior. This is yet another fat tome in which the author carefully (and very slowly) peels back the layers of people's "hidden lives" to reveal deep dark secrets from the past-all of which are central to unraveling the crime. Of course, the story takes place in a claustrophobic small town, so that there are lots of "connections" between characters which the reader must also come gradually to understand. I've read this kind of story far too many times, and Booth brings nothing particularly new or interesting to the table. The setting is the Derbyshire Peak District, and the protagonists are local copper Ben Cooper, and newly transferred DC Diane Fry. Their relationship is ostensibly at the core of things, but it's so herky-jerky and weighed down with baggage that it's more bad soap opera than anything. While I'm certainly no fan of the standard story arc in which two crimestoppers meet and proceed to form a romantic relationship over the course of the story, I was often left at a loss by the arbitrariness of Cooper and Fry's scenes. Their backstories certainly explain away some of their outbursts and emotional see-sawing, but it never feels organic. A particularly egregious example of this is a sequence when Cooper gets drunk and Fry gets him out of resulting jam and they end up at her apartment. This plays out so completely contrary to how the characters have been constructed that I realized they are both simply annoying and I didn't particularly care what happened to their careers or personal lives. In any event, the crime they investigate is the disappearance and killing of a 15-year-old local girl. Almost every element feels borrowed from other stories: the rich "new" family who is kept at a distance by the locals, the cagey locals who need a little TLC to open up, the old people who are consistently underestimated, the cocky and annoying teenagers, the ice-queen black belt cop, upper-crust sexual shenanigans, the little rich nymphet, and so on... Despite some hamfisted red herrings, the reader is given enough clues to suss out the killer about halfway in. There are some nice parts showing how Cooper's local knowledge gives him some good insights, but these are too few to rescue things. It also has to be said that the book has a rather horror-movie view toward female sexuality. It's either predatory, troublesome, or unsatisfying, and basically every time it comes up, the consequences are entirely negative. Plus, there's a bizarre statement by one of the cops in the book along the lines of "we all know there are far more false rape reports than actual rapes", to which another cop agrees. Huh? The Columbia Journalism Review ran an article about a decade ago pointing out that the statistics on this are very hard to come by and extremely unreliable, but in the U.S., the incidence of recanted rape allegations ranges from 2-25% (the FBI says 8%) of filed reports. If one adds in the large numbers of unreported rape, the line in the book can be seen to be clearly wrong -- and even injurious.
Great start, poor finish May 18, 2004 3 out of 4 found this review helpful
I am a big fan of British mysteries and really thought this one would go somewhere but I was mistaken. I sure miss the Morse series. Is British law enforcement this bad in real life? So politically correct? I guess liberal/labor government has really caused a change over there. The book started so well but then seemed to wander and not really go anywhere with the main characters. Get on with it! Ben Cooper starts out as a perfect lead character but then the author turns him into a dysfunctional wimp with the usual male stereotypical faults- concerns for his mommy, alcohol abuse, the inability to communicate and deal with his feelings, and the need for a woman to bail him out/protect him in the situations he has gotten himself into. He comes across as a mommas boy or a stupid plod. The female lead- Diane Fry is even worse. She is a cold, distant, career seeking maniac of a woman that has little in life besides her stupid karate- whatever- and cutting remarks. She cannot carry on a conversation without some form of insult or macho remark shooting out of her mouth. Difficult childhood? Who cares! Get over it! The dialogue between the two was terrible and by the end of the long book- too long- I was ready to toss it. I won't bother reading another in this series. It will take 10 books to get a relationship going with the main characters. Let's hope that they do not make a television series from these books.
dont be misled by all the great reviews... May 31, 2003 RachelWalker (England) 5 out of 6 found this review helpful
....becuase this is not an absolutely fantastic wonderful excellent book, as you might imagine when you read good review upon good review. indeed, just because it has many great reviews doesn't mean its any more of a great book than if it only had one great review... To be honest, i'm probably not getting my point across. Basically, what I'm saying is, this book is worth ive stars, because it is very, very good, but do not expect anything absolutely brilliant and awe-inspiring that concludes with a fanfare and a firework display. Because a plethora of good reviews is very misleading. This is a very good British police procedural (in my mind, it's a sort of cross between Reginald Hill and Peter Robinson, and is what every Elizabeth George novel wants to be), sure to appeal to ANYONE who loves that kind of mystery, because you're unlikely to find many writers able to do it better. Stephen Booth is clearly an exciting new talent. The basic plot goes something like this: There's a missing teenage girl, smart, very attractive. Her body does, eventually, turn up, found by an old man walking his dog. Parents claim she was paragon of virtue, other mutterings say otherwise. Local policeman Ben Cooper, knows village intimately, finds himself thrust into the investigation, up against a seeming wall of secrets and lies and darkness. Add to that the friction caused by the introduction of another officer, Diane Fry, from another division, into the local force, and Cooper finds himself in a very tough case that will effect him personally as well as professionally. It's written excellently. It's intelligent, occasionally humourous, and while the plot is not always flash-bang exciting, the style is easy to read and keeps you turning the pages (indeed, it did so to such an extent that I finished the book in a mere two days). Another remarkable aspect of the book is the atmosphere, and the description of the landscape. The Peak District, where the novel is set, takes on a very dark and sinister shroud, and seems almost to pulse beneath the story. The characters are also good (although not excellent, just good). Especially interesting is Booth's depiction and development of the various relationships and bonds of people within the story. Cooper and Fry are beginning to take on a fascinating relationship (sexual tension almost beginning to champ at the bit). The relationship between the three elderly friends is drawn EXCELLENTLY, and is possibly even one of my favourite things about this novel. Booth exmaination of friendship and loyalty and bonds and how far we will go for our friends is excellent. However, while this book is very good in very many ways, it is by no means perfect. To be honest, at the 400 page point, it began to feel a little drawn out, and only was saved from becoming "a little boring" by the numerous twists and turns which occur through the entire story. Still, I feel it was a little too long. Also, many things were captured very well, there was something about this book which just makes me think "well, the plot itself wasn't all that inspiring". There were aspects of it that were, certainly, but the bigger picture could be improved slightly. But, this is a first novel, so I'm sure it will be. So, I reccomend Black Dog to all fans of the Police Procedural and crime genre. I'm certainly looking orward to reading his next book, to see how Stephen Booth develops from here.
Disappointed Despite Good Reviews March 21, 2002 7 out of 17 found this review helpful
Although the reviews for this debut police procedural were glowing, I found myself disappointed. The author does a great job setting the scene and the local characters are believable. The dialog was also crisp and realistic. However, I could not connect with his protagonists. They both had so many hidden psychological traumas that it detracted from the main story. I found myself skimming the chapters devoted to them in favor of getting through the story! I was actually relieved when I reached the end.I don't think I will read the follow-up.
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